Tim Bray shares his experience purchasing a set of Dunun drums (Dununba, Sangban, Kenkini) and wooden stands for West-African drumming. He describes decades of studying West-African and Afro-Cuban drumming, a weekly invite-only drum jam that supports his mental health, and a pivotal moment playing ballet-style dununs that inspired him to buy his own set from Drumskull Drums. He also covers the stands from Shaw Percussion in Ontario, shipping frustrations with Purolator, and encourages others to explore African drumming communities in their cities.
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